




The photo mosaics of Joël Moens de Hase first began to emerge in 2011. His art reflects a digitized and hyper-connected society.
Those thousands of pictures composing the work echoes the over representation of images, advertisement and erotic representations that invade us on a daily basis. These small pictures give the artwork depth and an impression of infinity. They can be read in two ways, depending on whether the viewer is looking at the content or the form